WE GOT YOUR SIGNED COPIES OF the art of richard thompson right here, next to these copies of the complete cul de sac!

Richard Thompson, creator of "Cul de Sac," and winner of the 2011 Reuben Award for Outstanding Cartoonist of the Year, has graciously offered to sign copies of this beautiful book when you place your order through One More Page. Because cartoonists, like banjo players, are lovable but unpredictable, we can't guarantee a delivery time. We thank you in advance for your support, and your patience. You can click here or call us at 703-300-97p46 to be among the select and stand up for America by purchasing a signed copy of The Art of Richard Thompson!

Friday, November 21, 2014

Arlington Central Library Releases Details

Looking south along the auxiliary astrolabe repository

Arlington Central Library, that sober bulwark against the advance of illiteracy, that immovable redoubt of civilization, that last hope against the fidgety and loud, that shining beacon of all that we may aspire to has gladsome news of a celebratory nature concerning the goings-on of December  6th of this year. So be there or be square, Jake.

The Great Hall

Thursday, November 20, 2014

NOT IN THE BOOK LXIvIV oh I lose track

Here again are several random images, drawn from the pool of images that were considered and discarded as somehow lacking in that certain something, that je ne sais quoi, that separates winners from under-achievers.

First up is this pair of under-achievers I did for Bono Mitchell-






Then, this non-performer for The Atlantic-


Finally, we ha-HEY! THIS ONE IS IN THE BOOK! SOMEBODY MADE A BOO-BOO!

 
We'll have to get back to you on this...

Tuesday, November 18, 2014

Saturday, November 15, 2014

J. Arthur Wood, Jr.,1927 - 2014

When you opened the front door of the spacious yet unassuming house in Rockville, Maryland the first thing you saw was Prince Valiant. A choice Sunday page, all sweeping vistas and heraldic detail. The fact that the house contained almost 40,000 original cartoons, the largest private collection of comic art in America, if not the world was too much for the mind, so great was the discrepancy between the blandly comfortable house and what it contained

I said, "when YOU opened the front door," but that wouldn't happen. Steeped as he was in Southern Manners, it was unthinkable for someone else to open a door, any door, when Art was around.  So there you'd stand, confronted with a man who looked like Hollywood's ideal of a Southern Senator living in this house with drawings. "Come out to the house," he'd say, to the amusement of Pat Oliphant who knew the house was really a shrine. "Come out to the house. We're having some of the troops out."  The troops were inevitably Big Names of Cartooning and stacks of  their Christmas cards could be found on the coffee table in season.


I met Art in the early 80s, courtesy of my high school friend Greg's mom. Doris Fronsdorff was a respected collector-and expert in children's books and she had a sharp eye, so when Art needed someone to authenticate some drawings by Kate Greenway, he called Doris. And Doris called me.

The  Greenways were fakes, but it didn't matter. At least to me. I was at loose ends, unsure of what to do next. Or first. But Art Wood's enthralling tales and fabulous collection turned my head. The old-school Southern charm got me. And he knew everybody! My favorite Art Wood story from among millions is from later, after I'd quit Cul de Sac. I said my new work would look like Cy Twombly if he used his sleeve. I soon got a note from Art that said he and Cy Twombly were old schoolmates who'd gone on sketching expeditions together. There are two names I wouldn't put in the same sentence and they are "Art Wood" and "Cy Twombly."



Whenever he visited my studio, Art would sit on the floor like a little kid and go through piles of originals. To his utter delight I'd say, "Keep what you want." I figured he'd take better care of anything I gave him than I would. I mean, a guy with not just an animation cel hung on his wall but a cel with all seven dwarves signed, "To Art from Walt Disney" is at least trustworthy, monomaniac though he be, right?

Art sold his collection for just under a million dollars (though technically it was priceless) to the Library of Congress, where he'd worked as a boy (he'd also attended Hearst school, a public school in northwest DC, like my brother and even went to kindergarten in the same room). They had a nice ceremony in one of the fancier rooms attended by many cartoonists and Woodses and a show drawn from the collection. Art was expansive.

The last time I saw him was just before he moved to Charlottesville. He and his wife, the ever-gracious Sallie, had pretty much emptied the house, so now it was what it appeared to be, a normal suburban house. All the custom-built drawers Art had installed were empty. It was strange.

We had lunch at his club, where the waiters were vaguely insulting yet the food was good. It called to mind all the lunches we'd had; at one of them, memorably, I met Pat Oliphant for the first time. I remember because it was at the Press Club and Bill Mitchell was there and we went bar-hopping and my car got towed and I missed a date at the Phillip's.



Sallie & Art at my show with Roman Genn, Susan Conway Gallery, 1996
photo courtesy of Bruce Guthrie, whom I met at a Smithsonian event hosted by Art 

But that was in 1987 (I could tell you the date because I asked Pat what he'd drawn - Nancy Reagan dropping a chandelier on Donald Regan). Art said he had something for me. I thought of one particular Krazy Kat I'd long admired. Heck, I'd told him I'd steal it.



He held out an old case. "I never could figure this out," he said. Inside was a complex optical device for transferring drawings. I never could figure it out either but it's handsome and mysterious.

J. Arthur Wood died on the fourth of November, in Charlottesville.
                                                                                                                                                        

Thursday, November 6, 2014

GALA ANNOUNCEMENT WITH EARTH-SHAKING CONSEQUENCES!


THIS BLOG, IN ASSOCIATION WITH THE INDEPENDENT BOOKSTORE ONE MORE PAGE, IS PLEASED, HECK TICKLED PINK, TO ANNOUNCE A BOOK-SIGNING & LAUNCH PARTY FOR
THE ART OF
RICHARD THOMPSON
 WITH EXTRAS ON
SATURDAY, DECEMBER 6TH
2:30 PIP EMMA
AT THE
ARLINGTON CENTRAL LIBRARY
AUDITORIUM
1015 NORTH QUINCY STREET
THERE'LL BE A PANEL DISCUSSION, CELEBRITY APPEARANCES, SIGNED BOOKS, A WORLD PREMIERE OF A MAJOR VIDEO, CLOWNISH ANTICS AND FACE PAINTING! 

Wednesday, November 5, 2014

5 Favourite Things

I always thought it was a song cue from a musical by Rodgers and Hammerstein. But over at Comics & Cola Zainab Akhtar proves me wrong in this very nice review of theComplete Cul de Sac.


oh, who cares?

WHAT IS NEW AT 

NOT MUCH, OUR KID JUST GOT HIS WISDOM TEETH OUT,
THE OLD LADY WENT TO HER 30tTH HIGH SCHOOL REUNION,  I FOUND A $20 BILL IN THE PARKING LOT,  YOU KNOW, NOTHING  EARTH-SHAKING.
OH, YOU MEAN "WHAT NEW PRODUCTS HAVE YOU GOT?" I SEE, I SEE. WELL, WE GOT THESE, BUT THEY'RE NOT REALLY MOVING, IF YOU KNOW WHAT I MEAN. NOW, IF HE'D DRAW SOME PUPPIES OR KITTENS, THEY'D MOVE.

INSTEAD, WE GET ELEPHANTS.

THE HAPPY NEW YEAR CARD
Inside it says, "And many more."


THE PETEY CARD
Inside, it says, "It's going to be one of those days."


THE HEY,  JACKASS CARD
Inside, it says, "No, not you."
I'm quite proud of this card, and I'm posting it despite the fact that it does appear in the book and I could get in serious tr-


WHO SENDS GREETING CARDS NOWADAYS?
   THOMPSONIANA
WHAT TH-?

Monday, October 27, 2014

NOT IN THE BOOK, AND IT'S SO OBSCURE THAT I DON'T REMEMBER IT

Anita Finklestein has been busy, diligently digging up bits of Thompson lacuna as though it was worth something. Like this image, which,  as with her preceding find was a calendar illustration done for a printer who wanted to show what he could do. Here's what he could do-


WHAT'S NEW AT THOMPSONIANA?

WHAT'S NEW AT

WE WERE HOPING NOBODY'D ASK, AFTER ALL OF THOSE RUMORS OF A COUP ATTEMPT BY DISGRUNTLED GREETING CARD WORKERS PROTESTING THEIR NEW 26-HOUR DAY, JUST ONE OF THE MANY ADVANCES WE'VE INSTITUTED.


THE PANHANDLER CARD



THE HUNGRY CONSUMER CARD



A TWO-FER
THE OLD WOMAN TOSSED UP IN A BASKET CARD 




A PORTRAIT OF THE ARTIST AS A YOUNG MAN CARD

WHAT A FINE SELECTION OF GREETING CARDS!
AVAILABLE ONLY FROM
   THOMPSONIANA
"WHERE DREAMS ARE BORN."